Movement is the foundation of my artistic practice. My
background in parkour taught me to create, deconstruct, and
recompose movement — a process that led me naturally to the
arts. What began as an intuitive exploration has grown into a
sustained engagement with the audiovisual medium, which I
approach as an evolving process of relations: between body and
image, the other and the self,
space and time.
My work is shaped by an intercultural perspective that allows me to navigate multiple worlds without confining myself to a single one. This dynamic approach keeps my practice in a state of ongoing transition — always in motion.